Miya-ArtMiya Ozaki Works

About

Miya Ozaki,(JP); 尾崎 水耶 (日本)

Independent abstract artist
Artworks paint style base is Abstract Calligraphy
Site. https://miya-art.com (from 2020) / http://tatazumai.net (from 1992)
Registration site. https://only-abstract.com/miya-ozaki/
Contact : miya.7spw@gmail.com
* If you are interested in the work featured on this site, all negotiations with potential buyers are done directly by the artist. /
このサイトで紹介されている作品に興味がある場合、潜在的なバイヤーとのすべての交渉はアーティストによって直接行われます。

Education

University of Bukkyo, Faculty of Literature, Department of Buddhism, Museum curator qualification, 1997
Bakuzan Sakaki Independence private school, Arts calligraphy, 1987~1999

Exhibitions

selected solo exhibitions

2019 Acqua- Amore blu, Osaka, JP
2013~2004 The Space of Mental Sheen - Eight negations, Kyoto/Osaka, JP

selected invitation's exhibitions

2020/2018/2011 Inaugurazione della mostra delle opere selezionate al Premio Firenze, Palazzo Bastogi, ITALY
2019~2001 Korean Fan Exhibition, KOREA
2018/2015/2008 Firenze-Europa "Mario Conti ", Palazzo Vecchio, ITALY
2012 21C INTERNATIONAL Art and Culture Exchang Association, KOREA
2009 Premio Firenze Mostra in Palazzo Panciatichi, ITALY
2007 Sala espositiva, The Governor's Palace, ITALY
Palazzo della Loggia - Sala espositiva’E.Lancerotto'-Noale, ITALY
2005 ARTISTES JAPONAIS, Art-Tension, FRANCE

selected group exhibitions

2020,08,25~09,19

"Tales of the end of summer" / curated by Simultanea Spazi d'Arte
Venue: Terme Beach Resort Punta Marina / Italy

2020,07,11~10,31

"6A BIENNALE DI VITERBO ARTE CONTEMPORANEA"
Venue: Comune di Lubriano

2020/2019 Simultanea spazi d'Arte "Artists of the Light", SWE. ITALY
2018 Simultanea spazi d'Arte "Archipelago #2" Galleri Svea Stochholm, SWE.
2015~2005 "Japan & Korea Exchange Contemporary Arts Exhibition", JP. & Korea

    

Bibliography

2011 Artists Book  Poetry book of paintings – Days of the moonlight bathing/ 月光浴の日々
2007 eco d'arte moderna, Cover, N.162, giu/ago,2007
2004 Artists Book  Poetry book of paintings – The world of drops/ しずくの世界

Collections

2015 IL CENTRO CULTURALE FIRENZEEUROPA "Mario Conti"
Private collection, Osaka, JP.

Curatorial projects

2017 Sense of This Combination - Close relationship between books and art/ 本と美術の緊密な関係, 和歌山県立図書館メディアアートホール、JP
2016 Sense of This Combination/ ある感覚、ある合一から、あしべ屋妹背別荘、JP

Cooperation

2019~2015 Stage art, 絆の星、日高川町交流舞台,

selected Awards and Grants

2018 IL CENTRO CULTURALE FIRENZEEUROPA "Mario Conti" IL XXXVI Premio Firenze Speciale Prize
2015 IL CENTRO CULTURALE FIRENZEEUROPA "Mario Conti" IL XXXIII Premio Firenze Top Prize
2007 del "Premio Italia per le Arti Visive" Top Prize

[Statement]

From the concept of eight negations, and the empty ("Mulamadhyamakakarika", Nagarjuna, The Philosophy of the Middle Way) An abstract representation of the empty view that I could capture.
The life motivation of foamy life drifts with light and shadow. Brilliance and loss between beings. A strange life dimension (An area of the path of things that is deep and far away that cannot be easily measured./ Profound reasoning life) where nothing is necessary, nothing is unnecessary, but something is. I adore the Lord of Nature and Creation.

At the beginning of the work, I drip “Japanese ink” without hesitation, follow the movement , and then, keep the representations born from the overlapping illusions.
There is also a message from the life of a small one-step at the “border” that relies on “Achievements of the creator of all things (The creation of the inner spirit of the brilliance and the immeasurable bunch is created)” through the “water” of the “concept medium (An object that mediates a deep focus on the subject)”.

It is a work that is only the vitality of its own personal survival, but when blessed with the opportunity to present the work of "presenting", something like the essence beyond "me" ・ There is a strange expectation that something may "touch the cord."

『中論』(Nagarjuna,インドの哲学者)より、八つの否定・空の概念から、私が捉え得ることができた空観の抽象表現。
泡沫の命の、生の動機づけが光と影によって漂う気配。
存在の間の輝き、喪失。
何もない・何も必要が無い・しかし何かが、というところでの“妙なる生の次元”。
自然と創造の主への崇拝。

そして、
制作の始め、計らい無く”墨”を垂らし、動きを追い、そして重なり合う変幻から生まれ出る表象を留める。
そこには、”観想媒体”の"水"を通じて、"造化の功"に頼る自身の"存在の水際"でのささやかな暮らしの重なりが表出・表現作品となっている。

極めて個人的な自身の生存の活力でしかない作品であるが、「提示する」という作品発表の機縁に恵まれた時、「私」を越えたエッセンスのようなものが、どこかの・誰かの・何かの、「琴線に触れて」くれるかもしれないという、妙なる期待がある。

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